![]() For example, when performing passages that require alternating loud and soft dynamics the sound quality of the quiet sections is often dull and unclear. Though Wursch’s interpretation is near perfect to the written dynamics and direction of the composer, there are elements that he is not able to overcome due to limitations of the instrument. Because the instrument is so rudimentary, the tone quality on each different note is vastly different, requiring expert maneuvering to ensure each note is as consistent as possible. With this instrument, one must have a practiced knowledge of not only the fingerings but also the tuning tendencies on each pitch. ![]() The modern day Trumpet famously uses three pistons with seven possible valve combinations. The performer does an incredible technical job of a manipulating the instrument, not at all hindered by the complex fingerings required to produce the pitches sequentially. This is one of the few modern recordings that will most closely emulate the sound that would’ve been produced in 1796. In the recording listed above, Markus Wursch performs the third movement of the concerto on a period accurate instrument. The Keyed Trumpet operates as its name would suggest, using keys similar to those on woodwind instruments to open and close different holes in the brass to produce different pitches throughout the horn. The instrument it was developed by Anton Weidinger, a close friend of Haydn who supposedly served as best man at the composer’s wedding. The piece was unprecedented as it was the first written for the Keyed Trumpet which was the first trumpet that could play all 12 chromatic pitches. The Haydn Trumpet Concerto in E-flat was written in 1796 toward the end of Haydn’s year when he was actively composing. It also serves to gauge the timbre of electronic hi-hats and can reveal tonal imbalances in the treble when the texture of those hi-hats changes.A Comparison of Performances of the Haydn Trumpet Concerto mvmt 3. Crone's vocals are already kind of nasal in this song, and an excessive boost to the 1-1.5K region will make him sound irritatingly nasally. ![]() Both of these songs have many layers to them and serve as a decent test of separation. Tristam - With Love Until We Die and Truth. ![]() It's "static" bass, hence tests the pure FR in the sub-bass. For example, the Focal Elex fares worse in this test than the Aeon 2 Noire, despite having better punch for drums, because this test basically ignores punch. It's a mountain of bass below 50 Hz and it doesn't have much dynamics in that region during those 15 seconds, so headphones that have good punch and macro-dynamics but less raw bass elevation do not do well in this test. The first 15 seconds of this song are nearly a pure sub-bass quantity test. KDrew and Taryn Manning - Summer Ashes (VIP). Apple Music, iTunes, and Beatport have the longer version (which is not the Extended Mix). I prefer the 4:47 version of this song, but it's hard to find this version as Spotify and Qobuz both only have the 3:35 single version. It also tests the layering and tonality of female vocals. This is an even more strenuous treble test, as it's more like white noise rather than pink noise. The drop (especially the first drop at 1:25) contains a background of pink noise (you can see it in a spectrum analyzer), and it should sound much like pink noise, so I use it to detect annoying peaks in the upper treble, and to check overall treble levels.Īndrew Rayel - My Reflection (feat. This song tests upper treble and higher-pitched male vocals. I've found that certain headphones render the bass notes as "slow" and lacking in impact, while others place the little instruments fluttering around during the drop in odd places. The rendition of Frampton's voice can reveal issues like harshness in the upper midrange and lower treble. This tests female vocals, bass impact, and imaging. Most of my listening is to EDM with vocals, often with acoustic instruments mixed in, so I have a whole bunch of test tracks from that genre.ĭabin & Dia Frampton - Bloom.
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